Video production agreement template
Script and storyboard, shoot days, edits and revisions, delivery formats, footage rights and licences. A sample contract you can read in full, edit in QuoteBill and sign online with a secure link.
Sample — review with a lawyer · Simple electronic signature with an audit trail
Who it is for
For a video producer, filmmaker or agency making a promotional, corporate or social media video for a client, when both want the script, shoot days, revisions, delivery and rights settled first.
Music, stock footage and people on camera each need their own permission; the contract says who obtains it but cannot replace the licence or consent itself.
What it covers
15 clauses, in this order. Each one is in the sample text below, and you can edit, remove or add clauses before you send.
1. Purpose
What the agreement is for: the Producer plans, shoots and edits a video for the Client, from brief to delivered files, and the sides agree who holds which rights.
2. Production brief and deliverables
A blank where you describe the video content, with a set number of main videos and cut-downs. The brief records purpose, audience, tone and channels; deliverables not listed are outside the agreement.
3. Script and storyboard
The Producer writes the treatment, script and storyboard; the Client reviews each within a set number of business days. Shooting starts only after approval, and changes needing reshoots count as changes.
4. Shoot days
A set number of shoot days of a set length at the named locations and dates. The Client arranges locations, permits and people on camera; lost time counts, and extra hours or days cost a set rate.
5. Editing and revision rounds
The Producer edits the footage with graphics, music, voice-over and subtitles and delivers a first cut by a set date. A set number of revision rounds is included; more rounds or new footage cost extra.
6. Approval and delivery formats
The Client approves the final cut and, after payment, receives the files in the agreed formats within a set number of days. Project files and raw footage come only if the price schedule says so.
7. Schedule and delays
A blank for the milestones. Dates depend on timely approvals and available people and locations; a delay on the Client’s side moves later dates, and the Producer reports its own delays at once.
8. Fees and payment
Fees come from the price schedule in instalments at signing, after the shoot and on approval. Travel, locations, actors and other third-party costs are extra, and late payment lets the Producer pause.
9. Changes
Either side can ask for a change to the brief, script, deliverables or schedule. The Producer states cost and schedule effect and starts only after the Client approves in writing or electronically.
10. Footage ownership and licence
When the Client has paid in full, the rights in the final videos pass to the Client for the uses you name. Raw footage and project files stay with the Producer for a set period, and unused footage of the Client is not reused.
11. Music and stock licences
Music, stock footage, fonts and graphics are licensed for the uses and channels in the brief. Wider uses such as paid advertising may need a bigger licence at the Client’s cost; the Client answers for material it supplies.
12. Cancellation
The Client may cancel at any time, paying for work done, non-cancellable third-party costs and a cancellation fee of a set share. A shoot day cancelled at short notice costs a set share of the day rate.
13. Credit and portfolio
The Producer may show the video or excerpts in its portfolio and name the Client once the video is public or after a set number of months, unless the Client objects. An end-title credit is included where the format allows.
14. Liability
The Producer works with reasonable care but does not promise views or sales; the Client answers for its product claims and the consents of people it provides. Liability is limited to the fees, with the usual carve-outs.
15. Governing law and disputes
The law you name applies. The sides first try to settle a dispute in good faith, and otherwise the courts you name decide.
A price schedule (items, quantities and prices) is part of this contract. It starts empty, in your currency, and the clauses on fees and payment point to it.
The sample text
The whole sample, as QuoteBill starts it. Text in double square brackets, like [[10]], is a blank to fill in or check, and QuoteBill does not let you send a contract while one is left. The clause text is written in English, Korean, Japanese and German; in other languages a contract starts in English for you to translate.
Read the sample text
Video Production Agreement
Parties: Producer · Client
1. Purpose
This agreement sets out the terms on which the Producer plans, shoots and edits a video for the Client, from the brief to the delivered files, and the rights each party has in the result.
2. Production brief and deliverables
The Producer will produce the following video content:
[[Describe the services and deliverables]]
The deliverables are [[1]] main video of about [[2]] minutes and [[2]] short cut-downs for social media, in the languages and aspect ratios and with the subtitles stated in the brief. The brief, agreed in writing or in electronic form before pre-production starts, records the purpose, audience, tone, references and the channels the video will be used on. Deliverables not listed are outside this agreement unless the parties agree on them in writing or in electronic form.
3. Script and storyboard
The Producer prepares a treatment, script and storyboard or, for documentary-style content, a shooting plan. The Client reviews each within [[5]] business days and approves it or asks for specific changes in one consolidated list. Shooting starts only after the Client has approved the script and storyboard in writing or in electronic form. Changes to an approved script or storyboard that require reshooting are treated as changes under this agreement.
4. Shoot days
The production includes [[2]] shoot days of up to [[10]] hours each, including set-up and travel on the day, at [[Locations]] on [[Dates]]. The Client arranges the locations, permits, the people appearing on camera and their availability, and tells the Producer in advance about hazards and restrictions on site. Time lost because locations or people are not ready counts towards the shoot day; additional hours and days are charged at [[Rate per hour and per day]].
5. Editing and revision rounds
The Producer edits the approved footage, adds the agreed graphics, music, voice-over and subtitles, and delivers a first cut by [[Date]]. The fee includes [[2]] rounds of revisions; the Client gives each round of feedback in one consolidated list within [[5]] business days of receiving a cut. Further rounds, re-edits after approval and changes that require new footage are charged at [[Hourly or per-round rate]].
6. Approval and delivery formats
The Client approves the final cut in writing or in electronic form. The Producer then delivers the final files in [[Formats and resolutions, e.g. MP4 in 4K and 1080p, 16:9 and 9:16]] through a download link within [[7]] days of approval and full payment. Project files and raw footage are not delivered unless the price schedule says so. The Client checks the delivered files within [[10]] days; defects reported within that period are corrected free of charge.
7. Schedule and delays
The production follows this schedule: [[Milestones: pre-production, shoot days, first cut, final delivery]]
Each date depends on the Client giving approvals and feedback in the agreed time and on the people and locations being available; a delay on the Client’s side moves the later dates by at least the same period. The Producer tells the Client without delay about any delay on its own side and offers a new date.
8. Fees and payment
The Client pays the fees shown in the price schedule of this contract: [[40]]% on signing, [[30]]% after the last shoot day and the balance on approval of the final cut, before the final files are delivered, unless the price schedule says otherwise. Travel, accommodation, location fees, actors, voice-over artists and other third-party costs are charged as stated in the price schedule or, if not stated, at cost after the Client has approved them. If a payment is more than [[7]] days late, the Producer may pause the production after notifying the Client.
9. Changes
Either party may ask for changes to the brief, script, deliverables or schedule. The Producer tells the Client what a change costs and how it affects the schedule, and starts the change only when the Client has approved it in writing or in electronic form.
10. Footage ownership and licence
When the Client has paid in full, the Producer transfers to the Client the rights in the final delivered videos or, where the applicable law does not allow a transfer, grants the Client an exclusive, perpetual licence to use them for [[Permitted uses, e.g. all purposes in all media]]. The raw footage, project files and material not used in the final videos remain the Producer’s; the Producer keeps them for at least [[12]] months after delivery and may provide them to the Client against the fee stated in the price schedule. The Producer does not use unused footage of the Client’s people, premises or products for other clients.
11. Music and stock licences
Music, stock footage, fonts, graphics and other third-party materials are licensed for the uses and channels stated in the brief, at the cost stated in the price schedule or, if not stated, at cost after the Client has approved them. The Producer names the materials used and the scope of each licence. Use of the video outside that scope, for example in paid advertising or broadcasting, may need a wider licence, which the Client obtains at its own cost. The Client is responsible for the rights in material it supplies, such as logos, images, music or footage.
12. Cancellation
The Client may cancel the production at any time by notice in writing or in electronic form. On cancellation the Client pays for the work done until then, the third-party costs the Producer can no longer cancel and a cancellation fee of [[25]]% of the remaining fee; amounts already paid are credited. A shoot day cancelled with less than [[5]] business days’ notice is charged at [[50]]% of the day rate plus any non-refundable costs. Either party may terminate this agreement by notice in writing or in electronic form if the other party seriously breaches it and does not remedy the breach within [[14]] days of being asked to.
13. Credit and portfolio
The Producer may show the final video or excerpts of it in its portfolio, website, social media and festival or award entries, and name the Client as a reference, once the Client has published the video or [[3]] months after delivery, whichever comes first, unless the Client objects in writing or in electronic form. A producer credit in the end titles is included where the format allows; the Client is not required to credit the Producer elsewhere.
14. Liability
The Producer works with reasonable care and skill but does not promise particular view counts, engagement or sales. The Client is responsible for the accuracy of the statements the video makes about its products and services, and for the consents of the people appearing on camera whom it provides. Except for intent, gross negligence, personal injury or where the law does not allow a limitation, each party’s total liability under this agreement is limited to the fees paid or payable under it.
15. Governing law and disputes
This agreement is governed by the law stated under Governing law. The parties will first try to settle any dispute in good faith. Otherwise the courts stated under Jurisdiction decide, unless mandatory law provides otherwise.
Payment terms
Each instalment is payable within [[14]] days of receiving the invoice, by bank transfer to the account stated on the invoice. The final files are delivered once the final payment has been received.
Governing law
[[Country or state whose law applies]]
Jurisdiction
[[Courts that decide disputes, e.g. the courts of your city]]
How to use it
Choose the template
Press the button to use this template. If you are not signed in, you first sign in or sign up for free and then come straight back to it.
Start a draft
The new-contract page opens with this template marked. Press its card to create a draft. Your company details fill in Party A, and you fill in the blanks, the other party and, where the template has one, the price schedule.
Send it for signature
You sign first, then send each signer a secure link and, by another route, an access code. Signers need no account.
Next steps
Your client opens the link on any device and needs no account. See what the signing looks like on the E-Contracts page, and read which kind of electronic signature is enough for which document.
Already signed? Make the invoice from the signed contract: the parties and the price lines carry over, in full or for a deposit. The guide on turning a quotation into an invoice shows how to review the new draft, its dates and the PDF.
What it is, and what it is not
QuoteBill creates a simple electronic signature with an audit trail. In the EU, the UK, the US and Korea a signature is not denied legal effect only because it is electronic, and in Japan most contracts need no particular form at all. What a simple electronic signature proves in a dispute depends on the evidence behind it, and some documents need another form.
It is not a qualified or advanced electronic signature, and QuoteBill does not verify who the signers are. It records the use of the link and access code you delivered, so anyone who has both can sign. The signature certificate lists every link issued and, for each action by the sender or a signer, its IP address and browser where they could be read.
Some documents need another form. Wills, many real-estate transfers, guarantees and some employment documents must, in some countries, be handwritten, notarised or signed with a qualified signature. The templates are samples, not legal advice: review them with a lawyer.
Other contract templates
Website design and development agreement
Pages and scope, client content, design sign-off, launch, warranty and ownership of the site.
Graphic design agreement
Concepts and revisions, final files, usage rights, fonts and stock licences, credit and a kill fee.
Photography agreement
Shoot date, deliverables, usage licence, releases, cancellation, overtime and lost images.
Copywriting agreement
Briefs and word counts, deadlines, revisions, originality, fact-checking, ownership and a kill fee.